{"title":"All our albums","description":"\u003cp class=\"p1\"\u003eHere is everything we currently have in stock for you to explore. The default sort setting is 'bestselling' but you can play with that. Use the filters to narrow things down or the search function at the top to look for your favourite artists or labels.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIf you still unsure or can’t see what you’re looking for, come on down to the shop for a coffee and let us do the hard work for you!\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"caribou-suddenly","title":"Suddenly","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the past decade, Caribou has been whittling down his music. Dan Snaith songs were once a constant swirl of brightly colored baubles, as pleasingly jumbled as the view through a kaleidoscope. With 2010�۪s Swim, the muddle began coming into focus. The melodies were brighter, the beats more direct. Things got sharper still on 2014�۪s Our Love, which filtered the pleasures and anxieties of domesticity through the prism of house music at its most ebullient. That simple title spoke to Snaith growing interest in getting at the essence of things. The emotions he was grappling with were complicated���in interviews, he spoke eloquently about the trials of marriage and fatherhood���but he had a way of framing messy feelings in bold strokes. The album�۪s biggest song, ���Can�۪t Do Without You,�۝ featured few lyrics save its titular refrain, repeated over and over, turning its ambiguous double negative into a mantra-like affirmation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSuddenly\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e��\u003c\/span\u003eis more stylistically varied than\u003cspan data-mce-fragment=\"1\"\u003e��\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eOur Love\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e��\u003c\/span\u003eor\u003cspan data-mce-fragment=\"1\"\u003e��\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSwim\u003c\/em\u003e, but it�۪s also the most direct that Snaith has sounded. Many of its standout songs are just two or three minutes long, perfect models of pop economy. The anthems are punchier: The dusty boom-bap of ���Home�۝ is the platonic ideal of a rare-groove edit, ���Never Come Back�۝ the epitome of a piano-house barnstormer. There�۪s nothing generic about even his most exacting genre studies: A Caribou song will always sound first and foremost like a Caribou song, thanks in part to Snaith�۪s distinctive falsetto, which graces every song here. There are no bum notes, no wasted motions, no corners of the audio spectrum left untouched.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCredit: Philip Sherburneat Pitchfork\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43672911675640,"sku":"SLANG50247LP","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/Caribou.jpg?v=1676468214"},{"product_id":"panama-77","title":"Panama 77 (Baby Blue Vinyl) Reissue","description":"\u003cp\u003e\u003cb\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/b\u003ePanamá-born, Chicago-based drummer Daniel Villarreal is known to many for his work in Dos Santos, Wild Belle, The Los Sundowns, Valebol Rudy de Anda, and many more. For his lead artist debut Panamá 77 he engages a diverse array of friends and collaborators - including Bardo Martinez (Chicano Batman), Jeff Parker (Tortoise), Marta Sofia Honer (Adrian Younge), Anna Butterss (Jenny Lewis), and Aquiles Navarro (Irreversible Entanglements) - to create a vibrant and verdant suite of multi-textural psychedelic instrumental folk-funk.\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43674442268920,"sku":"IARC54LPBB","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/panama77.jpg?v=1676549383"},{"product_id":"life-stories","title":"Life Stories","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eThis compilation revisits this heyday of Taylor's work, focusing on his solo albums and some of his lesser known side projects including the dynamite Apagya Show Band and short-lived Taylor-led combos Assase Ase, Super Sounds Namba and The Pelikans. The selection also touches on his writing and production work for C.K. Mann and a collaboration recording with fellow member of early ���70s nightclub band Blue Monks, Pat Thomas.\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43674446495992,"sku":"STRUTO72LP","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/ebo.jpg?v=1676550280"},{"product_id":"based-on-a-true-story","title":"Based On A True Story - 21st Anniversary Edition (2LP)","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eThis album debuted at #1 and went Gold on its first release day in New Zealand, and won the band a stash of NZ Music Awards and a legion of fans worldwide. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cp\u003e\u003cb\u003eLP FORMAT DETAILS: \u003c\/b\u003eLimited edition 2LP, gatefold, obi strip, 12” insert\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43674514161912,"sku":"DRP7LP21","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/8e754ece-23eb-c09e-98c2-92d34733a2d6.jpg?v=1776765554"},{"product_id":"promises","title":"Promises","description":"\u003cp\u003eIn a 2020 interview with The New Yorker, saxophonist Pharoah Sanders, who turned 80 last October, said he hadn't been listening to records for a while. I listen to things that maybe some guys don't he said. I listen to the waves of the water. Train coming down. Or I listen to an airplane taking off.  For most of Sanders' career as an improvising musician, he was in a studio or on a stage with other musicians, and they listened and played together in real time. But he's a listener as well as a player, able to respond to what he's hearing and create beautiful art under different circumstances. His adaptability allowed him to work in a multitude of settings over the years, from harsh free playing through groove-heavy spiritual jazz and excursions into popular song.\u003c\/p\u003e\n\u003cp\u003eIn the past year, Sanders worked with Sam Shepherd, the British producer and composer who records under the name Floating Points, on a sweeping, nine-movement piece called Promises. Shepherd composed the music, played various instruments, electronic and otherwise, and enlisted the London Symphony Orchestra to perform it. Sometimes the piece is so quiet you might check your volume setting to see if it's still on, and other times, when the strings hit a crescendo, it's earth-shaking. In the middle of this tapestry is Sanders, his warm tone and fluid technique undiminished even at 80 years old, listening to his surroundings and finding brilliant patterns to stitch the work together and thus elevate it.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCredit:Mark Richardson at Pitchfork\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43674517799160,"sku":"LB97LP180","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/floating.jpg?v=1676551508"},{"product_id":"ultra-sound","title":"Ultra\/Sound","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally privately released in a small run on bandmember Clifford Becker Infusion Records imprint, the album has since become a treasured prize of but a handful of diehard collectors and DJs as a result of both its scarcity and quality. Now, in partnership with the band, Kalita shine a light on the album for the first time in over forty years, accompanied by never-before-seen archival photos and extensive interview-based liner notes.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record was released at the close of 1980, manufactured and distributed by the band themselves. The album was a local success, and the band sold out within a short space of time, with most copies sold to family, friends and Meharry College students. However, at the end of their studies at Meharry the band went their separate ways. Their educational qualifications required that they partake in internships, and these were at different hospitals in different states. As Murray divulges, each of us chose our own path and to live our own separate lives. We have stayed in contact periodically over the years, but we have never been able to get together and play music because of our medical practice time constraints. We hope therefore that this much-needed re-release of Ultra\/Sound helps to keep the IgG Bands musical legacy alive and showcases their musical quality to the world once again.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eCredit: Kalita Records Bandcamp\u003c\/span\u003e\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43676337078520,"sku":"KALITALP8","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/iggband.jpg?v=1676625564"},{"product_id":"groove-of-essr-ii-funk-soul-disco-and-jazz-from-estonia","title":"Groove of ESSR II: Funk, Soul, Disco and Jazz from Estonia","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e“ESSR” in the “Groove of ESSR II” stands for Estonian Soviet Socialist Republic. Yet for Estonia, there was nothing really “republic” about the situation of being occupied by Soviet Russia. So escaping the oppression through music is a running theme for the Groove of ESSR compilation. Majority of these pieces will be released for the first time. During the production of this album, two of the most influential figures in Estonian funk and soul passed on: Marju “Maryn” Kuut (1946-2022) and Tõnu Aare (1953-2021). In music lies strength and truth. We dedicate this album to them. May they live on forever through music, alongside all of the artists represented here.\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43676885942520,"sku":"FER008","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/essr.jpg?v=1676643677"},{"product_id":"wamono-a-to-z-vol-iii-japanese-light-mellow-funk-disco-boogie-1978-1988-selected-by-dj-yoshizawa-dynamite-chintam","title":"WAMONO A to Z Vol. III - Japanese Light Mellow Funk, Disco \u0026 Boogie 1978-1988 (Selected by DJ Yoshizawa Dynamite \u0026 Chintam)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e-Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring rarities from Hitomi Tohyama, Jadoes, Yumi Sato, Tetsuo Sakurai and more!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Tracks selection by Japanese super diggers and Wamono specialists DJ Yoshizawa Dynamite and Chintam\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Mastered and cut at Timmion Cutting Lab\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Artwork by Yoxxx (Tokyo)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- 180g heavy vinyl pressing, reverse board jacket\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eActive as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateEllipsis\" data-mce-fragment=\"1\"\u003e...\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003ca data-mce-fragment=\"1\"\u003emore\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43681998143736,"sku":"180GWALP03","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/wamono.jpg?v=1676893752"},{"product_id":"habibi-funk-015-an-eclectic-selection-from-the-arab-world-part-2","title":"Habibi Funk 015: An Eclectic Selection From The Arab World, Part 2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eIt is music that historically never existed as a unified musical genre. We think it’s important to make this distinction and to have the listener understand that the majority of the music on this compilation does not come from the highly famous names of the musical spectrum of North Africa and the Middle East. Instead, the final body compiled for this record consists of some – at least for us – nichey pearls and often overlooked artists; resulting in a diverse range of styles from Egyptian organ funk, disco sounds from Morocco, an example of the lively reggae scene of Libya, political songs from Lebanon, soundtrack music from Alge- ria, a musical union between Kenya and Oman, and much more.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eThe photo we chose for this cover somehow could be seen as an allegory of the sounds we feature on the label. It depicts Algerian composer Ahmed Malek at an ice cream bar dur- ing his stay in Japan for the World Expo in Osaka, 1970. He later said that his visit to Japan and especially the manga culture left a distinctive mark on the way he created his own compositions. With this in mind, it feels as a suiting visual representation for the mu- sic on this\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecompilation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccordingly, the compilation you are holding in your hands offers a much wider range of music than just funk influenced sounds. Sure, it brings back Fadoul, who we have already dedicated a full length album to. He was the mystical Moroccan singer who - influenced by the sounds of James Brown- created his own musical vision full of energy but also still very intimate. Another artist we have featured before is Ahmed Malek, the grand Algerian soundtrack composer, whose music is largely connected by a distinct feeling of melancholic beauty or Hamid Al Shaeri, the Egyptian hit producer whose track “Ayonha” was probably the most widely appre-ciated track off our first compilation. But we have also learned that this format of a compilation can serve as a medium to introduce artists to our audience, who we are planning to dedicate full length releases to in the near future, such as Ibrahim Hesnawi. Hesnawi is the father of reggae music in Libya - a genre still widely popular in Libya - and whose presence in the country is commonly connected to the rhyth- mic similarities of reggae with some form of Libyan folkloric music. Nahib Alhoush is another Libyan artist, whose musical output we will spotlight in the near future. In the 1970s, he was the co-founder of Free Music, one of the first Libyan bands introducing western influences into their music. After the band stopped performing together he started an at least equally successful solo career under his own name.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen I got into Arabic music around five or six years ago, I knew pretty much nothing about it. Realistically, I still know very, very little about it and I’m by no means an expert. I just had the opportunity to visit the region frequently, trying to learn about music I might like. Most of the bands, I happen to enjoy, were fairly obscure and therefore a lot of the music on this compilation seems to be largely forgotten. After sharing many of the old records and tapes online through mixes, I have realized that there is a huge disparity be- tween the interest in the music on the one hand and its availability on the other.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll tracks on this compilation are fully licensed, most directly from the artist or in the case of artists, who are deceased licensed from the artist’s family. There are two exceptions: Hamid Al Shaeri’s track was licensed from SLAM! as the label is still active under the name Sonar. Zohra’s “Badala Zamana” from the great Belgian label MTMU, who has reissued this track under license from the producer on 7” format before. As a European label dealing with non- western artists we try to be aware of the responsibilities that derive within the making, regarded from a post-colonial point of view by demanding on ourselves not to reproduce exploitative economic patterns. We split all of the profits from our releases equally with the artists without deducting any costs that are not directly related to the release (e.g. we pay for our research to find an artist as well as all travel costs from our share of the profit). Our agreements are licensed deals with limited terms after which the rights fall back to the artist or the artist’s family. The master rights stay with the artists, we just license them. We do not include publishing rights in our deals. We think it is important in today's reissue market, where too many shady business transactions happen, to be transparent about our licensing policies. We are always available for any questions, requests as well as more detailed information.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43682034581752,"sku":"HABIBI015LP","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/habibi.jpg?v=1676894310"},{"product_id":"wamono-a-to-z-vol-ii-japanese-funk-1970-1977-selected-by-dj-yoshizawa-dynamite-chintam","title":"WAMONO A to Z Vol. II - Japanese Funk 1970-1977 (Selected by DJ Yoshizawa Dynamite \u0026 Chintam)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring rarities from Jiro Inagaki \u0026amp; Soul Media, Hiroshi Sato, Bread \u0026amp; Butter, Hatsumi Shibata, Fujio Tokita and more!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Tracks selection by Japanese super diggers and Wamono specialists DJ Yoshizawa Dynamite and Chintam\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Mastered and cut at Timmion Cutting Lab\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Artwork by Yoxxx (Tokyo)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- 180g heavy vinyl pressing, reverse board jacket\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e---\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eActive as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eunknown, Japanese groove scene. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this second volume of the acclaimed Wamono series, Yoshizawa and Chintam dig into some of the best and rarest funky tunes produced in Japan during the seventies. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!\u003c\/span\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43682044674296,"sku":"180GWALP02","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/wamonos.jpg?v=1676894786"},{"product_id":"funky-disco-music","title":"Funky Disco Music","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eThe LP opens up with the bright and uplifting disco-swing gem and title track \"Funky Disco Music\". Punchy horns, afro rhythms and groovy bass (From Vicky Edimo) power this groover along before mixing straight into the Jazz-Funk-Disco hybrid \"Ndolo Embe Mulemadolo\". Taking its cue from the age - Paris\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e1979 - \"Une Chanson Sans Paroles\" is a French power pop meets afro swing belter to keep the LP tempo high.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo close off side A is the gloriously uplifting \"Bowa'a Mba Ngebe\". Dripping in positivity and goodwill this feel-good disco gem was a recent highlight of our African Airways 04 compilation. Side B opens with the afro-folk meets pop \"Doi Da Manga\". Next is \"Me To A De Try My Own\" and \"Esele Mba Musango Na Ndol'am\" with their locked on bass grooves and afrobeat grooves. The LP closes with the smooth ballad jazz of \"Emen' Ango\". The heartstrings are all a flutter.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStay tuned for more Eko later in the year. Africa Seven.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43682191376632,"sku":"ASVN052","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/eko.jpg?v=1676900138"},{"product_id":"habibi-funk-007-an-eclectic-selection-of-music-from-the-arab-world","title":"Habibi Funk 007: An Eclectic Selection of Music From The Arab World","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe songs we chose were created in places quite far from another and under very different circumstances. Some were written and recorded during war times, others in exile. Despite the differences we think there is a musical connection between them. Essentially, we are interested in the musical endeavors, in which artists from the Arab world mixed local and regional influences with musical interests that came from outside of the region. Even though the name suggests it’s all about funk music, our focus is more than just that. Often these influences might be inspired from Western popular music such as soul, pop and rock but it’s not limited to that either. Some of our favorite records are best described as Arabic zouk (a genre originating from the Caribbean islands of Martinique and Guadeloupe) like Mallek Mohamed’s music, Algerian coladera (a popular musical style from the Cape Verdean islands) or Lebanese AOR, which means the process of musical influences displayed on this compilation was much more versatile than just taking Western music as a blueprint and translating it with a local accent. The compilation features 15\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edifferent artists. Some you might already know thru Habibi Funk’s releases like Fadoul, Ahmed Malek, Dalton or Al Massrieen, while others are meant as an introduction to artists like Kamal Keila, Sharhabeel Ahmed, Attarazat Addahabia \u0026amp; Mallek Mohamed who will all release full length albums on Habibi Funk in 2018.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn todays world there are still many stereotypical conceptions to be found when it comes to the Arab world. Contrary to what a lot of Western narratives and media suggest, the Arab world we got to know through extensive traveling in several countries of North Africa and the Middle East, is a very versatile terrain. A place full of different stories, ideas and beliefs. And we hope that the music we release helps as a tiny, tiny piece of a larger puzzle to establish a diverse, more nuanced yet adequate idea of how musically vibrant this very diverse region once has been and also still is. At the same time we do not want anyone to misunderstand this compilation as a selection of songs to represent Arabic musical history of the 1970s and 1980s. This compilation is nothing more than a very personal curation of songs we like and in no way reflects on what has been popular in a general sense.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43682204909816,"sku":"HABIBI007","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/habibif.jpg?v=1676900841"},{"product_id":"les-plus-grands-succes-de-chic","title":"Les Plus Grands Succes De Chic","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"descriptionWrap\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"description\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'Les Plus Grands Succès De Chic: Chic's Greatest Hits' is a greatest hits album by the American R\u0026amp;B band Chic, originally released on Atlantic Records in late 1979. It includes the biggest hits from their first three albums: 'Chic' (1977), 'C'est Chic' (1978) and 'Risqué' (1979). \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productInfoWrapGrid\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"trackListingWrap\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43684203102456,"sku":"0081227944186","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/chic.jpg?v=1676985100"},{"product_id":"curtis","title":"Curtis","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"descriptionWrap\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"description\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cdiv class=\"descriptionWrap\"\u003e\n\u003cdiv class=\"description\" itemprop=\"description\"\u003e\n\u003cp\u003e'Curtis' is the debut album by American soul musician Curtis Mayfield, originally released in September 1970. The musical styles of 'Curtis' moved further away from the pop-soul sounds of Mayfield's previous group The Impressions and featured more of a funk and psychedelic-influenced sound. The album's subject matter incorporates political and social concerns of the time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productInfoWrapGrid\"\u003e\n\u003cdiv class=\"trackListingWrap\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43684204019960,"sku":"0081227965570","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/fb04c417cd835ccdfb5c91528a657a11.jpg?v=1676985461"},{"product_id":"homework","title":"Homework","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"sc-JkixQ eUDWmX\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gKclnd sc-gGPzkF bgmYbB kWEeha\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHomework\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estill stands head and shoulders above every other dance album ever. You could say they just updated the sound of Chicago but they added their own touch and Parisian flare and delivered a stunning yet simple masterpiece. If it wasn't for this you wouldn't have Kitsune, Ed Banger, Soulwax, Switch... the list is endless.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEvery home should have one.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-dkqQuH kFYkpo\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"sc-eicpiI chgIcQ\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43684207493368,"sku":"","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/daft.webp?v=1676986392"},{"product_id":"ready-to-die","title":"Ready To Die","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"description\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginally released on 13th September 1994, Ready To Die is the debut studio album from hip-hop legend, The Notorious B.I.G. Upon release, the album was met with widespread critical acclaim, with Pitchfork giving it a 10\/10 rating along with various other critics praising it for its brutally honest depiction of gang violence and conflict as opposed to the often-glorified portrayal in the genre and the wider media.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis x2LP re-issue featuring the iconic artwork of an infant bearing a resemblance to the rapper has been out of the marketplace for over a decade and also features all 19 tracks from the Ready to Die Sessions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album cover is often cited as one of the greatest of all time, with Billboard magazine placing it no.4 on its list of “The 50 Greatest Album Covers of All Time” stating that juxtaposition of the music with the “innocence of a child” on the cover illustrates how “a cruel world imprints on unmoulded minds”. NME has also placed it no.12 on its list of “Timeless Hip Hop Album Covers” and Complex Magazine have placed it at no.16 on its list of “Greatest Album Covers”.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"single_sidebar\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"product_infos\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43684225483000,"sku":"0603497843343","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/biggie.jpg?v=1676988088"},{"product_id":"back-to-black","title":"Back to Black","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"descriptionWrap\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"description\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"They tried to make me go to rehab,\" wails Amy Winehouse on the opening track and first single from her second album\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBack to Black\u003c\/em\u003e. It's not typical pop song fodder, but Winehouse isn't a typical pop singer. If she winds up as popular in the U.S. as she is at home in the UK, it'll be despite her reluctance to embrace the monotonous realities of promotional mechanics. \u003c\/p\u003e\n\u003cp\u003eCredit: Pitchfork\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productInfoWrapGrid\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"trackListingWrap\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43684235084024,"sku":"3579647","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/amy_12542762-103e-4dff-be45-aa218e8bb02b.jpg?v=1759404472"},{"product_id":"enter-the-wu-tang","title":"Enter The Wu-Tang","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e36 Chambers\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edirectly paved the way for harder-edged New York rap from Nas, Mobb Deep, and The Notorious B.I.G,. and provided a hardcore hip-hop blueprint that’s been followed by rap purists and collectives for nearly three decades. It began the Tao of Wu, bonding nine Staten Island dreamers by philosophies of the mind and the scents of the fried food wafting past Brooklyn’s Palmetto Playground. But more than anything, it’s a testament to pop culture’s power to create and forge brotherhood. In 2004’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWu-Tang Manual\u003c\/em\u003e, just over 10 years after the album’s release, RZA broke down the significance of its title as only he could: “You have the thirty-six chambers, and there's nine members of the Wu-Tang Clan. Each member of Wu-Tang has four chambers of the heart. And what's nine times four?” \u003c\/p\u003e\n\u003cdiv data-include-experiments=\"true\" data-in-view='{\"pattern\":\"ProductEmbed\"}' data-event-click='{\"pattern\":\"ProductEmbed\"}' data-event-boundary=\"click\" class=\"TextBlockWrapper-bOeimZ eTLjqB StyledTextblock-jonuyd fYkEJP disclaimer\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43684265656568,"sku":"19075883381","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/wutang.jpg?v=1676989668"},{"product_id":"igor","title":"Igor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe moods of\u003cspan data-mce-fragment=\"1\"\u003e Tyler The Creators\u003c\/span\u003e’s albums have largely been defined by absence—of his father, of critical acclaim, of love. He responded to what was missing with antagonism, album after album, until 2017 when he looked back at his life with a sunny lens and twinge of nostalgia to deliver his best work,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFlower Boy\u003c\/em\u003e. That\u003cspan data-mce-fragment=\"1\"\u003e Grammy nominated \u003c\/span\u003ealbum is eminently pleasing, the sound of an iconoclast succumbing to his better judgment.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eIGOR\u003c\/em\u003e, the 28-year-old’s sixth full-length, is Tyler finally content in the face of all that agony.\u003c\/p\u003e\n\u003cdiv class=\"Container-inuIHp suLzc\" data-event-boundary=\"click\" data-event-click='{\"pattern\":\"CNEInterludeEmbed\"}' data-include-experiments=\"true\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43684341317880,"sku":"19075965221","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/igor.jpg?v=1676992334"},{"product_id":"mezzanine","title":"Mezzanine","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"descriptionWrap\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"description\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis album is the band's most commercially successful to date it went to the number one spot in the UK, Australia, Ireland and New Zealand album charts. Widely hailed as their masterpiece, and voted 15 in Q Magazine's 100 Greatest British Albums Ever (2000), 'Mezzanine' saw the band move away from the 'trip-hop' sound they had helped define to embrace rock and electronica.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productInfoWrapGrid\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"trackListingWrap\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43686884442360,"sku":"3754043","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/mezzan.jpg?v=1677073064"},{"product_id":"blue-note-re-imagined-ii-2lp-blue-vinyl","title":"Blue Note Re:imagined II (2LP Clear Vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"description prod-desc\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBlue Note Re:imagined is a 16-track compilation featuring fresh takes on music from the illustrious Blue Note vaults recorded by a heavyweight line-up of the UK jazz, soul and R\u0026amp;B scene’s most hotly-tipped rising stars. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditional tracks on the album will include funk-pop duo Franc Moody’s version of Donald Byrd’s Cristo Redentor, fast-emerging vocalist Cherise’s take on Norah Jones Sunrise, Maya Delilah covering Neil Young’s Harvest Moon, which was recorded by Cassandra Wilson on her 1995 Blue Note album Blue Moon Daughter, Birmingham-born pianist Reuben James’ reimagining of Wayne Shorter’s ballad Infant Eyes, London tuba player and Sons of Kemet member Theon Cross with a version of the Thelonious Monk\/Kenny Clarke composition Epistrophy, and 9-piece afro-jazz outfit Nubiyan Twist’s fresh spin on Donald Byrd’s Through The Noise (Chant 2).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBlue Note is celebrated almost as much for its visionary album art as for its legendary recordings. Designer for the Blue Note Re:imagined campaign was Jay Vaz:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“The Blue Note Re:imagined identity explores an abstract graphic notation score, aiming to represent the exciting energy and diverse range of artists that the new wave of jazz offers. The LP cover pays homage to a selection of legendary Reid Miles covers [in particular, Jackie McLean - It’s Time] that I felt perfectly executed the energy of this compilation.”\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43686981992696,"sku":"4564812","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/blue.jpg?v=1677075941"},{"product_id":"mr-morale-and-the-big-steppers","title":"Mr. Morale and the Big Steppers","description":"\u003cmeta charset=\"utf-8\"\u003eMr. Morale \u0026amp; the Big Steppers is the fifth studio album by American rapper Kendrick Lamar, released on May 13, 2022, by PGLang, Top Dawg Entertainment (TDE), Aftermath Entertainment, and Interscope Records. \u003cbr\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43687008731384,"sku":"4592601","price":46.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/mrmorale.webp?v=1677076813"},{"product_id":"donald-byrd-live-cookin-with-blue-note-at-montreux","title":"Donald Byrd - Live, Cookin' with Blue Note at Montreux","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"accordion-row\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"rte accordion-content\" data-accordion-body=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"accordion-content__holder accordion-content__holder--truncate is-visible\" data-truncated-holder=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"accordion-content__inner\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"accordion-content__entry\" data-truncated-content=\"accordion-content__entry--truncate\" data-mce-fragment=\"1\"\u003eIn July 1973, Blue Note Records headed to Montreux, Switzerland to showcase several of the label’s stars at the Montreux Jazz Festival. Live albums all titled Live: Cookin’ with Blue Note at Montreux followed from Bobby Hutcherson, Ronnie Foster, Bobbi Humphrey, and Marlena Shaw, but one of the performances by Donald Byrd remained unreleased in the Blue Note vaults. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat summer, Byrd was fresh off the release of his hit crossover fusion album Black Byrd, the first of his innovative and incredibly successful studio collaborations with producer Larry Mizell. But in a live setting the band had a rawer, harder edge, as this searing set attests. Byrd led a 10-piece band that included Larry Mizell on synthesizers, Fonce Mizell on trumpet and vocals, Allan Barnes on tenor saxophone and flute, Nathan Davis on soprano and tenor saxophone, Kevin Toney on electric piano, Barney Perry on electric guitar, Henry Franklin on electric bass, Keith Killgo on drums, and Ray Armando on congas and percussion. The set list includes Larry Mizell’s tune “Black Byrd” along with otherwise unrecorded Byrd originals like “The East,” “Kwame,” and “Poco-Mania,” as well as an excellent cover of Stevie Wonder’s “You’ve Got It Bad Girl.”\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accordion-row\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"accordion-row\" data-mce-fragment=\"1\"\u003eCredit: Blue Note \u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688630780152,"sku":"4599840","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/donla.jpg?v=1677147939"},{"product_id":"to-pimp-a-butterfly","title":"To Pimp A Butterfly","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"descriptionWrap\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"description\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThird studio album by the American rapper. 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The album's cover art, a grubby Polaroid, provides a visual prompt for the scene: Baby Kendrick dangles off an uncle's knee in front of a squat kitchen table displaying a 40-ounce and Lamar's baby bottle. The snapshot is such an unvarnished peek into the rapper's inner life that staring at it for too long feels almost invasive. This autobiographical intensity is the album's calling card. Listening to it feels like walking directly into Lamar's childhood home and, for the next hour, growing up alongside him.\u003c\/p\u003e\n\u003cdiv class=\"Container-inuIHp suLzc\" data-event-boundary=\"click\" data-event-click='{\"pattern\":\"CNEInterludeEmbed\"}' data-include-experiments=\"true\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLamar has subtitled the record \"A Short Film by Kendrick Lamar\", and the comparison rings true: You could take the album's outline and build a set for a three-act play. It opens on a 17-year-old Kendrick \"with nothing but pussy stuck on my mental,\" driving his mother's van to see a girl named Sherane. As his voice darts and halts in a rhythm that mimics his over-eager commute, Lamar explores the furtiveness of young lust: \"It's deep-rooted, the music of being young and dumb,\" he raps. The song is interrupted by the first of several voice mail recordings that delineate the album's structure: Kendrick's mother, rambling into his phone and pleading for him to return her car. These voicemails appear through the record, reinforcing that\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003egood kid, m.A.A.d city\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis partly a love letter to the grounding power of family. In this album's world, family and faith are not abstract concepts: They are the fraying tethers holding Lamar back from the chasm of gang violence that threatens to consume him.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCredit: Pitchfork\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688661418232,"sku":null,"price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/ken.webp?v=1677150257"},{"product_id":"songs-in-the-key-of-life","title":"Songs in the Key of Life","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"lrv-u-text-transform-uppercase u-letter-spacing-012\" data-mce-fragment=\"1\"\u003e“JUST BECAUSE A\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eman lacks the use of his eyes doesn’t mean he lacks vision,”\u003cspan data-mce-fragment=\"1\"\u003e Stevie Wonder\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eonce said, a warning to any who doubted the potency of his imagination. In the first half of the Seventies, he had visualized an untried musical path, one that took him far from the assembly line pop of his “Little Stevie, the Boy Genius” era during the early days of Motown. This road ultimately led to 1976’s majestic\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSongs in the Key of Life\u003c\/i\u003e, a multi-disc 21-song collection that would be the 26-year-old’s crowning achievement. It’s the sound of a creatively emancipated young artist coming into his own, surrendering himself to his ambition and harnessing his power and potential.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCredit: Rolling Stone\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688673444088,"sku":"5316422","price":59.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/stevie.webp?v=1677150758"},{"product_id":"the-blueprint","title":"The Blueprint","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Blueprint is the sixth studio album by American rapper Jay-Z, released on September 11, 2001, through Roc-A-Fella Records and Def Jam Recordings. Its release was set a week earlier than initially planned in order to combat bootlegging.\u003c\/span\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688695890168,"sku":"5335347","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/bluejay.jpg?v=1677152898"},{"product_id":"it-takes-a-nation-of-millions-to-hold-us-back","title":"It Takes A Nation of Millions to Hold Us Back","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"descriptionWrap\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"description\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe title says it all. In 1988, when this album was released, Public Enemy's music cut with a wholly revolutionary edge. Rarely has fear, anger, paranoia and anxiety been so masterfully compressed onto a record's grooves. The bomb squad's artistry is the keynote to the hard, lean delivery, while Chuck D's supremely pointed lyrics leave no stone of the black experience unturned. It is not comfortable listening, but on tracks such as 'Don't Believe the Hype', 'Night of the Living Baseheads' and 'Rebel Without a Pause' the listener is left in no doubt that they are facing a fantastically potent force.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productInfoWrapGrid\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"trackListingWrap\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688707850488,"sku":"5346821","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/public.webp?v=1677153395"},{"product_id":"blue-lines","title":"Blue Lines","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eListening to\u003cspan data-mce-fragment=\"1\"\u003e Massive Attack's \u003c\/span\u003edebut album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBlue Lines\u003c\/em\u003e, 21 years after its initial release is like reading an old William Gibson novel that describes the then-near future, which is now the present, with unsettling precision. Nearly every song offers a sound currently in use in music's taste-making leading edge. Robert \"3D\" Del Naja's chopped-up vocals on the album-opening \"Safe From Harm\" sound freakishly like the chorus to Kanye et al's \"Mercy\" (even if Ye actually lifted it from DJ Screw, who was developing his idiosyncratic style 5,000 miles away from Bristol, England at almost the exact same time Massive were recording\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBlue Lines\u003c\/em\u003e). The chunky, palm-muted guitar riff on \"One Love\" is almost identical to the one on \"Ahh Shit\" from Jeremih's brilliant\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLate Nights with Jeremih\u003c\/em\u003e. The subzero space-reggae beat to \"Five Man Army\" could easily be a highlight of any number of fashionable rappers' mixtapes.\u003c\/p\u003e\n\u003cdiv class=\"Container-inuIHp suLzc\" data-event-boundary=\"click\" data-event-click='{\"pattern\":\"CNEInterludeEmbed\"}' data-include-experiments=\"true\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen Del Najas, Grant \"Daddy G\" Marshall, and Andrew \"Mushroom\" Vowles were recording\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBlue Lines\u003c\/em\u003e, the sub-genre called trip-hop hadn't been invented. But at its heart,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBlue Lines\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a hip-hop record, although one marbled with streaks of soul, dub, dance music, and psychedelic rock. The fact that its primary audience in America was made up largely of ravers and alternative rockers doesn't change that. And their accomplishments stand out even further next to what was happening elsewhere in the hip-hop world at the time.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eStraight Outta Compton\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eIt Takes a Nation of Millions to Hold Us Back\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePaul's Boutique\u003c\/em\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e3 Feet High and Rising\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewere all still just a few of years old in 1991, and so was the idea of beatmaking as an art unto itself. The blocky rhythms and minimal arrangements that defined rap's identity in the 1980s were just starting to be replaced by the deep, organic textures that would define its 90s, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBlue Lines\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas at the forefront.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCredit: Pitchfork\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688737538296,"sku":"5700960","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/massive.webp?v=1677154297"},{"product_id":"protection","title":"Protection","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"descriptionWrap\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"description\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'Protection' was the second album by Bristol's trip-hop overlords Massive Attack. The album was released in 1994. Vocalist Shara Nelson was replaced by Everything But the Girl's Tracey Thorn. Tricky also made his last appearance with the the group going on to make his Maxinquaye album. It features the single 'Karmacoma'.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productInfoWrapGrid\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"trackListingWrap\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688745271544,"sku":"5700962","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/pro.webp?v=1677154949"},{"product_id":"baduizm","title":"Baduizm","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe debut album by the American singer\/songwriter, originally released in February 1997. After leaving university in order to concentrate on music full-time, Badu then began touring with her cousin, Robert 'Free' Bradford, and recorded a 19-song demo, 'Country Cousins', which attracted the attention of Kedar Massenburg. He set Badu up to record a duet with D'Angelo, 'Your Precious Love,' and eventually signed her to a record deal with Universal Records. Recording sessions for the album took place from January to October 1996 in New York City, Philadelphia, and Dallas. Features the singles 'On \u0026amp; On', 'Next Lifetime', 'Otherside of the Game' and 'Appletree'.\u003c\/p\u003e\n\u003cspan class=\"read-less\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688756576504,"sku":"5701806","price":37.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/erykah.jpg?v=1677155896"},{"product_id":"2001","title":"2001","description":"\u003cp\u003eAfter months of highly productive studio sessions with an unpolished but focused 26-year-old Marshall Mathers, Aftermath released Eminem‰۪s debut, The Slim Shady LP, on February 23, 1999. The album shocked listeners across the world and went four times platinum. It made Eminem a superstar, gave Aftermath its first hit, and, more subtly, marked the start of Dre‰۪s new sound. Gone were the sticky, warbly bass lines, big drums, and hypnotic stank of G-funk. What emerged instead was West Coast rap stripped down to its basic components, stretched and slowed and narrowed with ominous, sparse precision. SSLP‰۪s ‰ÛÏRole Model‰۝ is 2001‰۪s most obvious precursor, and it‰۪s the only track on the album that Dre coproduced with a young upstart from Virginia named Mel-Man, who would be instrumental in 2001. Around the same time, Dre and Snoop reconciled. No Limit Top Dogg, Snoop‰۪s fourth album and second for No Limit, released on May 11, 1999, featured his first collaborations with Dre in nearly five years. The Dre-produced ‰ÛÏBuck ‰۪Em,‰۝ with its alien synths and Kill Bill‰ÛÒstyle guitars, is proto-2001, and the Xzibit-featuring, Dre-laced posse-cut ‰ÛÏBitch Please‰۝ got the gang back together again. Armed with a new superstar, a new coproducer, and a crew of old collaborators, Dr. Dre was finally ready for his next episode.\u003c\/p\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cp\u003eCredit: The Ringer\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688776171768,"sku":"7765689","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/dre.png?v=1677157303"},{"product_id":"dummy","title":"Dummy","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the UK, a dummy isn’t just a mannequin or an idiot; it’s also what Americans would call a pacifier. Savor the irony in the title of Portishead’s debut album. The album may suggest coziness, sonic swaddling, the gentle soundtrack to a raver’s comedown—and in 1994, ravers were plenty familiar with pacifiers. But Dummy doesn’t coddle, it unsettles. It tastes not like warm milk but coppery and bitter, like blood. Despite its two-plus decades spent soundtracking makeout sessions, it cradles a terrible loneliness in its heart. Despite its reputation as dinner-party music, it is straight-up discomfort food: curl-up-and-die music, head-under-the-covers music. It’s dark, dank, and quintessentially Bristol, mingling a chilling harbor fog with the resin of a thousand spliffs left to burn down in a haze.\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688792654072,"sku":"8285221","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/portis.webp?v=1677157808"},{"product_id":"peoples-instinctive-travels-and-the-paths-of-rhythm","title":"People's Instinctive Travels and the Paths of Rhythm","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eApproaching A Tribe Called Quest's seminal debut in 2015 is a loaded venture. The Queens, N.Y. trio (and sometimes \"y\" quartet, counting Jarobi) is one of the most revered acts in hip-hop—and with good reason. As part of the Afrocentric and innovative Native Tongues collective—which included De La Soul,  Jungle Brothers, Queen Latifah, Black Sheep, and others—they created and refined a template for '90s hip-hop that was street-astute, worldly, and more inspirational than aspirational.\u003c\/p\u003e\n\u003cdiv class=\"Container-inuIHp suLzc\" data-event-boundary=\"click\" data-event-click='{\"pattern\":\"CNEInterludeEmbed\"}' data-include-experiments=\"true\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven without the Native Tongues' legacy, Tribe's heritage is not a light one. There's no stretch in saying that, without A Tribe Called Quest, the biggest rap artists of this year—Drake, Future, and Kendrick Lamar—would not exist as they do. Drake would not be Drake without Kanye West's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e808s and Heartbreak\u003c\/em\u003e; Kanye would not be Kanye without his Tribe influences. Without Tribe, the Dungeon Family—birthplace of Outkast, Goodie Mob, and Future—arguably does not exist. And the improvisational looseness of Kendrick's opus is unthinkable without the innumerable branches of jazz and hip-hop sprouting from Tribe's experimentation, which differed significantly from the cooler jazz-sample leanings of Stetsasonic and Gang Starr. There's no Mos Def, no J. Cole, no Common, no J Dilla, no Digable Planets, no Neptunes, and no Clipse as we know them. Tribe is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ethat\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eimportant. And this album—the first ever to receive a perfect \"5 Mic\" rating from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe\u003c\/em\u003e \u003cem data-mce-fragment=\"1\"\u003eSource\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine—is where it all began.\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688847114488,"sku":"88875172371","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/tribe.webp?v=1677161357"},{"product_id":"random-access-memories","title":"Random Access Memories 2LP Repress 2025","description":"\u003cp\u003eIn the electronica landscape of the 1990s, Daft Punk first came over as a novelty. Funny band name, funny sound, funny masks, and a funny (and incredibly fun) hit called “Da Funk,” found on their debut album, Homework. They’ve come a long way since, but the playfulness remains, and so does their ability to surprise. Every new step in their career, whether positive (the landmark Discovery, their life-altering pyramid live shows), negative (the inert Human After All, their forgettable score for Tron), or somewhere in between (the film Electroma) has been met initially with a collective sense of puzzlement: “Now what’s this all about?”\u003c\/p\u003e\n\u003cp\u003eRandom Access Memories, the fourth proper studio album from Thomas Bangalter and Guy-Manuel de Homem-Christo, continues the trend. But the differences between their first three albums and this one are vast. RAM finds them leaving behind the highly influential, riff-heavy EDM they originated to luxuriate in the sounds, styles, and production techniques of the 1970s and early ’80s. So we get a mix of disco, soft rock, and prog-pop, along with some Broadway-style pop bombast and even a few pinches of their squelching stadium-dance aesthetic. It’s all rendered with an amazing level of detail, with no expense spared. For RAM, Daft Punk recorded in the best studios, they used the best musicians, they added choirs and orchestras when they felt like it, and they almost completely avoided samples, which had been central to most of their biggest songs. Most of all, they wanted to create an album-album, a series of songs that could take the listener on a trip, the way LPs were supposedly experienced in another time.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCredit: Pitchfork\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688870445304,"sku":"0888837168618","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/daft_b0c764b5-690e-4425-8af7-28ebb07b61fb.webp?v=1677162824"},{"product_id":"late-night-tales-the-cinematic-orchestra","title":"Late Night Tales: The Cinematic Orchestra","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLate Night Tales: The Cinematic Orchestra is a mix album compiled by British nu-jazz and electronic outfit the Cinematic Orchestra. It was released on 14 April 2010 as part of the Late Night Tales series. The mix includes tracks from artists such as Flying Lotus, Thom Yorke, Steve Reich, St Germain and Burial.\u003c\/span\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688916058360,"sku":"ADIDA006","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/cine.jpg?v=1677165712"},{"product_id":"late-night-tales-bonobo","title":"Late Night Tales: Bonobo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"juno-section\" data-mce-fragment=\"1\" itemprop=\"review\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Review\"\u003e\n\u003cp data-mce-fragment=\"1\" itemprop=\"reviewBody\"\u003eGiven his impeccable downtempo credentials, you'd expect Bonobo's Late Night Tales mix to be one of the finer installments in the series (and that's saying something). Predictably, it is. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" itemprop=\"reviewBody\"\u003eThis vinyl edition features 17 of the tracks unmixed (naturally) and lifts out many highlights. His own cover of Donovan's \"Get Thy Bearings\" is particularly revelatory - string drenched, hazy, atmospheric and, of course, immaculately produced - but there are many other gems. Check Darondo's classic heart breaker \"Didn't I,\" the smoky reggae-soul of Nina Simone's \"Baltimore\", and the enveloping intimacy of Shlohmo's \"Places\". Do seek out Benny Cumberbatch's spoken word turn at the end too!\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43690287890680,"sku":"ALNLP34","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/bono.jpg?v=1677232223"},{"product_id":"late-night-tales-presents-version-excursion-don-letts","title":"Late Night Tales Presents Version Excursion: Don Letts (2LP)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Brixton, a child of the Windrush Generation, Letts’ slippery and unorthodox career is somewhat hard to define, without taking a few detours around London, New York and Jamaica. He began his working life managing the dauntingly hip Acme Attractions on Chelsea’s Kings Road, where he made a mark with his attitude, dress and, especially, the pounding dub reggae that vibrated the shop’s walls. His first gig as a DJ at the short-lived Roxy in Neal Street, became mythical for turning a generation of punks on to reggae. They in turn hipped him to their DIY ethos resulting in his reinvention as a filmmaker. This led to a shed-load of music videos (Linton Kwesi Johnson, The Clash, Bob Marley) not to mention documentaries on the likes of Gil Scott-Heron, George Clinton and Sun Ra.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the ’80s, he was part of Mick Jones’ new venture, Big Audio Dynamite and his innovative use of samples were a core part of their sound. Listeners of his weekly 6 Music radio show are taken on a musical safari that moves seamlessly between time, space and genre. It’s not called Culture Clash Radio for nothing. So this latest bulletin from Letts HQ is merely one angle of a multifaceted personality, his take on the JA tradition of the cover version.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe history of Caribbean music owes a debt to R\u0026amp;B as many of the early island releases were cover versions of US 45s. Ska’s breakthrough commercially, Millie Small’s ‘My Boy Lollipop’, was originally recorded by Barbie Gaye in ’50s New York. Cover versions became quite a thing in Jamaica and Don, following in that tradition, has dug deep with a selection of interesting dubbed out covers including thirteen exclusives.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“A disciple of sound system, raised on reggae n’ bass culture my go to sound was dub. Besides being spacious and sonically adventurous at the same time, its most appealing aspect was the space it left to put yourself ‘in the mix’ underpinned by Jamaica’s gift to the world - bass. But that’s only half the story as the duality of my existence meant I was also checking what the Caucasian crew were up to not to mention the explosion of black music coming in from the States. That’s why this version excursion crosses time space and genre, from The Beach Boys to The Beatles, Nina Simone to Marvin Gaye, The Bee Gees to Kool \u0026amp; The Gang, The Clash to Joy Division and beyond. You’d think it impossible to draw a line between ‘em but not in my world. Fortunately, the ‘cover version’ has played an integral part in the evolution of Jamaican music and dub covers were just a natural extension.”\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe song choices are diverse, from French dubsters’ OBF’s renditions of ‘Sixteen Tons’, the miners’ paean popularised by Tennessee Ernie Ford in the 1950s, to Ash Walker’s refix of Omar’s ‘There’s Nothing Like This’ and ‘All I Do Is Think About You’, immortalised by the ill-fated Tammi Terrell and preserved here by Quantic (the latter two both exclusives). Being a Rebel Dread compilation, there’s a cover (by Wrongtom Meets The Rockers) of The Clash’s ‘Lost In The Supermarket’ while Don’s exclusive, naturally, is a rendition of Big Audio Dynamite’s debut hit, ‘E = MC2’, produced by Gaudi.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“Truth be told I’ve wanted to work with the Late Night Tales crew from the get go. We’re talking nearly two decades such was the allure of their musical aesthetic typified by curators like Nightmares on Wax, The Flaming Lips, MGMT, Trentemoller, Khruangbin and countless others. Now being as old as rock n’ roll (born in ‘56) and having nearly 20 years of Culture Clash Radio under my belt I figured I was tooled up to musically juggle with the best of ‘em. But I wanted to carve out a space that was distinctly my own - something that reflected my musical journey and the culture clash that’s made me the man I am today.”\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43690368336120,"sku":"ALNLP64","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/donletts.webp?v=1677236005"},{"product_id":"selected-ambient-works-85-92","title":"Selected Ambient Works 85-92","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSelected Ambient Works 85-92\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(originally released on R\u0026amp;S records in 1993) was the album that crossed over from the techno world into the more indie homes. Stories and mysteries surround this gorgeous, ethereal album: that it includes tracks from 1985 (when Aphex Twin, aka Richard D James, was all of fourteen), that it was largely made with instruments built by James himself, that its success emboldened James to purchase a panzer tank. The music matters more than any of that, because with\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSelected Ambient Works 85-92\u003c\/i\u003e, Aphex Twin expanded way beyond the ambient music of Brian Eno by fusing lush soundscapes with oceanic beats and bass lines. This album is both the birthplace and benchmark of modern electronic music.\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43690371252472,"sku":"AMB3922LP","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/a1573754732_16.jpg?v=1677236563"},{"product_id":"the-revolution-will-not-be-televised","title":"The Revolution Will Not Be Televised","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA compilation of Gil Scott-Heron’s best-known works for the Flying Dutchman label. Originally released to capitalise on the success of Scott-Heron’s then-current hit The Bottle and his subsequent signing to Arista, this 1974 compilation has since become the definitive distillation of his early work. 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The song selections reflect the laid-back cosmopolitanism that has turned this largely instrumental Houston trio into theater-filling stars, with fans including both JAY-Z and your Phish-loving cousin. Generate a playlist for reading and you might be served French jazz fusion and Thai electro; choose “beach hang” instead and you might get Somalian disco and Sierra Leonean maringa. Khruangbin’s eclecticism clearly stems from real devotion to music from outside the Western pop-rock canon, and their willingness to direct listeners toward their influences shows an admirable lack of pretense about where it all comes from. 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The result was the creation of a groundbreaking new genre, now well known as the ‘desert blues’, earning him three Grammy awards, widespread reverence and the nickname of the ‘African John Lee Hooker’.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough he transcended in 2006, Ali’s musical legacy lives on through his son, Vieux aka “the Hendrix of the Sahara,” an accomplished guitarist and champion of Malian music in his own right. On Ali, his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original’s integrity. The result is a rightful ode to a legend.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe genesis of the album dates back to 2019, when Khruangbin, coming off their breakthrough album Con Todo el Mundo, was beginning to play to bigger crowds. The record was finished in 2021, as a global pandemic shuttered businesses and forced us to take stock of what Earth was becoming. Indirectly, Ali captures this as a moment of peace within a raging storm, a conversation between past and present without allegiance to suffering. 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